The Boiler Identity: Part One

Steven Borne woke up in a puddle.   
   
He didn’t know his name was Steve, not until he sat up and whacked his head on the bathroom sink. As he slipped across the tiles, away from that dangerous curve of porcelain, his hand brushed against a piece of paper in his pocket. It was a cheque, and when he unfolded it he saw the name: Steven Borne.
   
(What if the cheque wasn’t his? The possibility didn’t bear consideration; his memory loss was frightening enough. Besides, he felt like a Steve. It was a good name. Dependable.)
   
The bathroom was cold, quiet. It had high, cobwebbed ceilings and tall sash windows that needed refitting. A spiderweb of cracks in the paintwork. Whoever lived here either rented or was too lazy for DIY. 
   
The built-in cupboard next to the sink was half-open, revealing a combo boiler yellowed with age, the pressure valve leaking steadily. He stood — gingerly, hand against his head — and patted himself down for other clues. His pockets were empty but one of his hands was streaked with dark red stains.

Drip. Drip. Drip.

The cheque was for one thousand pounds. The handwriting was all in block capitals, angular and aggressive. Steve stared, wondered what he had been paid to do. Felt a cold sweat trickle down the back of his neck.

That’s when he saw it: a knife on the floor, spattered with blood.

Drip. Drip. Drip.

Steve looked at his hand again, then straightened to look into the mirror. There were more red streaks along his neck.

He followed the trail of blood spatters to the bathroom door, wincing with every step, his head thrumming with pain. At the threshold he paused, leaning against the cold, cracked tiles to catch his breath.

The blood spatters led down a narrow, tall corridor with parquet flooring and an ornate Victorian ceiling rose above the light fitting. Shame it had been painted over so clumsily.

He lurched down the corridor, one hand against the wall, his woollen socks slipping across the polished floor. The radiator gurgled in warning as he passed.

The trail finished at an archway near the front door. Steve stepped over the blood and peered into the room beyond.

It was a kitchen. Pieces of broken glass littered the floor. Blood dripped down to the counter.

Steve did the only thing he could: he fled.

To be continued…

My Writing Workspace

Where do you write?

After 9 years of living in London — and 8 house moves — I’ve learned to adapt quickly to new environments.

I have never had the luxury of a dedicated writing nook, but all my writing spaces have had three things in common: silence, solitude, and proximity to home comforts.

I’m not one of these coffee shop or library types. I need to be at home with both laptop and notebook — but where at home depends on my mood and needs.

If I’m not home alone, I write in my bedroom. It’s the one place where solitude is guaranteed, even if it’s not the most comfortable. I alternate between sitting on my bed and — when the urge to have a nap kicks in — on the floor.

In one of my previous houses I used to switch between writing on the floor in the kitchen (to enjoy the view of the garden) and the living room leather sofa (when I felt lazy).

But in my current place I have a TABLE.

Check it out:

image

My writing space

Where do you write?

Does your writing nook needs some TLC? Check out these tips on how to create an inspirational workspace.

How to Attend A Book Launch

Yesterday I attended my first ever book launch.

The book in question — not my own, sadly! — was the dark political thriller The Washington Stratagem by Adam Lebor. (You may recall he ran the writing course I attended).

Having never been to a book launch before, I wasn’t sure what to expect. What is the correct etiquette? Must you buy the book, or not? What do you wear? Will there be alcohol?

How to Attend A Book Launch

  • To buy, or not to buy?
    While authors would certainly like everyone attending to buy the book, I doubt they expect everyone to — particularly if you’re hard up on cash and/or not interested in the genre. Don’t feel pressured into buying: the important thing is to show your support in whatever way you can.

  • Bring friends!
    The venue will look at turnout for the event, and will be more likely to invite the author back if he/she can draw a crowd. Round up your friends and/or partner and/or dog and bring them along!
    (Yes, there was a dog at the event!)

  • Promote the author online
    Another way to show your support is to promote the event online. You can tweet or blog about it, and even set up a Goodreads event for the launch. Anything that will spread the word!

  • Don’t harass the author
    Book launches are like weddings: everyone wants a piece of the action. The author will want to circulate to greet attendees, so be respectful and don’t hog his/her time.

  • Enjoy yourself!
    What you wear doesn’t matter. Take the time to meet new people, listen to the author’s reading and get your book signed. It’s not every day that you can browse a bookshop with a glass of wine in your hand…

Do you have any other tips to add to the list?

* * *

The Washington Stratagem by Adam Lebor

Washington_Lebor Yael Azoulay, the U.N. covert negotiator, had to kill or be killed when she went rogue in Geneva. Now back in New York, she is tasked with meeting the man at the dark heart of the American military industrial complex. Yael soon discovers a chilling conspiracy that reaches to Iran…and a dark secret from her past. The endgame is a devastating new war in the Middle East. But the closer she comes to the truth, the more she exposes herself to powerful enemies who neither forgive, nor forget.

How To Handle Criticism

He glared at me and said, “Look how you’re dressed.”

I looked down and could see only what I had seen in the mirror that morning, the suit and shirt and tie that was customary for students at the time.

“Your suit is blue,” he said. “Your shirt is blue, your tie is blue. That’s what’s wrong with your writing.”

When my ordeal was over I slunk away from Goodman’s cubicle to rethink the sameness of my writing and to learn the value of variety. It took some time for me to learn the other lesson, that a writer, shy or not, needs a tough skin, for no matter how advanced one’s experience and career, expert criticism cuts to the quick, and one learns to endure and to perfect, if for no other reason than to challenge the pain-maker.

On Writing by Sol Stein

Effective criticism, however hard it is to take, will make you a better writer.

But how do you handle criticism — and how can you tell good feedback from bad?

  1. Detach
    Effective criticism is aimed at your story, not you. Don’t get defensive; stand back and evaluate the feedback logically.

  2. Experiment
    Criticism isn’t necessarily right or wrong, so it’s important to experiment with reader suggestions. It costs you nothing to make a copy of your story and tweak it as suggested. At worst, you’ll go back to the original version, but you may find you love the new version even more.

  3. Compare
    Criticism reveals a reader’s experience of your story. The more feedback you get, the better you’ll be able to sift through the comments and identify what is and isn’t working.

Dealing with criticism the right way will help your writing progress — so take a deep breath and learn to endure and to perfect, if for no other reason than to challenge the pain-maker.

How To Keep A Writer’s Notebook

I’ve previously written about the 7 benefits of keeping a writer’s notebook.

But how do you keep one? Should it be organised or a collection of scribbles? Should you separate prose from outlines, free writes from drafts?

The easiest answer is: do whatever feels right.

But I would argue that you should do whatever will best serve you later on — and that means pinpointing your needs to decide what kind of notebook you need.

A writer’s notebook is a tool; its aim is to help you with your writing. What kind of help do you need?

THE IDEAS NET
Perhaps you simply need a place to collect ideas. A place for quick lines of observation, description, snippets of scenes, character names and inspirational quotes.

There’s no structure to this kind of notebook–and no restrictions. You’ll browse through its contents at a later stage when you’re hungry for inspiration.

THE BRAIN DUMP
Julia Cameron promotes keeping morning pages — writing three stream of consciousness pages every morning to get the juices flowing. You may never use this content anywhere else; the aim is to get into the habit of writing and unblock your creativity.

If you want to increase productivity, this is the kind of notebook for you.

THE ONE-TRACK-MINDED
For Darksight, I’m keeping a project-specific notebook.

The beauty of a project-specific notebook is that is that it keeps me focused. I flip open to a page, and know that I can only write about ONE story. No procrastination allowed.

To keep myself organised, I’ve split the notebook into two halves.

The front half of the notebook contains outlines, character bios and family trees. (I’ve also seen other authors number the pages and leave space for an index, in order to easily find content as it builds up.)

The back half of my notebook is for snippets and scenes: pieces of prose as and when inspiration strikes.

Eventually the two halves will meet, but I love having all of my notes and reference points in the same notebook as my ideas, yet in some way organised too.

NONE OF THE ABOVE?
There are many more types of notebooks, from dream journals to diaries.

What kind of notebook do you keep? There is no right or wrong way – only what works for you and helps your writing.