Why Make Up Is Like Editing

Every day I spend about ten minutes touching up my face.

Image via yenhoon on SXC

Image via yenhoon on SXC

First concealer, then blusher, eyeshadow and eyeliner, with a final buffing of finishing powder to pull everything together.

Despite my boyfriend thinking the entire exercise is unnecessary, I would rather show the world the most polished version of my face possible.

And it was on one of these mornings when I realised that make up isn’t all that different from editing.

Unless you’re into masochism webfiction, you WANT the world to see the most polished version possible of your story.

Even with webfiction, the urge to go back and fix things is there.

First you need foundation and concealer to smooth out the edges of your story and correct any plot holes. If the story’s basis is uneven, there’s no point working on anything else.

Then you need blusher, to add colour and breathe life into your story, and to make your cheeks characters have shape and definition.

Then the eyeshadow and eyeliner, the flair and drama and emotion. The best bits, shown off to their best.

Finally, the finishing powder. Blend your edits together, remove irksome typos, make the finished story seamless.

And that, my dears, is how you edit with make up.

Eleven Rules For Editing Fiction

So you’ve nailed down the 11 Rules for Writing Fiction. You’ve finished your novel. You feel good. INVINCIBLE. But then… what’s that? A typo? A cliché?!

Crap, you realise. The hard work has only just begun.

Welcome to the world of editing.

No, come back! Don’t run away screaming! Editing is fun. It’s like scrubbing off the dirt from your novel’s little face. You know how good it feels when you scrub your kitchen until all the surfaces are sparkly? That’s what editing is like.

But where do you start? Here’s some suggestions on what to look out for….

11 Rules For Editing Fiction

  1. Read critically.
    Take a break from your novel and come back to it with fresh eyes. Read it critically. Find out where things don’t work and what you need to change. Take notes.

  2. Plan.
    You don’t want to edit the story any more than you have to. Look over your notes, and if needed write a new outline. How will you better demonstrate the character’s development? Where will you plant clues about the killer’s identity? Know what needs to be changed and how, before you start rewriting.

  3. Leave line editing for last.
    The story’s basic structure comes first; leave the details for last. Focus on fixing plot holes first, on re-ordering scenes, fixing timelines–the big stuff. Don’t waste time on making a sentence sound perfect, when you don’t even know whether that scene will survive the rewrite.

  4. CUT! (aka Know When To Start)
    Get rid of that prologue. Heck, get rid of the first two chapters. Cut straight to the action–the readers don’t need long passages introducing the protagonist, the protagonist’s family and the protagonist’s collection of rocks. Neither do they need weather reports or waking-up-in-bed starts. Speaking of which…

  5. Avoid bedtimes.
    Don’t abuse waking and sleeping. If that’s how you do all your scene breaks, something’s wrong — even if your protagonist is narcoleptic. Finishing a scene with someone drifting off to sleep is often anti-climatic, starting with them waking in bed is dull, and you can only believably wake up from a nightmare so many times.

  6. Avoid cliché.
    Both in your scenes and in your language. Pay special attention to similes and metaphors–as black as night, as cold as death, a bird in the hand… To make your story sound original and fresh, get rid of anything your reader will recognise.

  7. Delete unnecessary words.
    Make your writing as tight as possible. Often-overused offenders are: seem, suddenly, just, even, really, feel, almost, slightly, and directional words (up/down/in/out). Treat adverbs with caution. Cut as many as possible.

  8. Get an outside opinion.
    Have other people read it. Develop a thick skin. Listen to all of their advice and thank them for it. Compile their feedback, and see what they all agree on.

  9. Read it aloud.
    Listen to the rhythm. Does it sound right?

  10. Love what you do.
    Don’t despair. Editing can be disheartening, but it’s not all bad. And hey, even if it is, that’s why you’re editing!

  11. Finally…
    Share your wisdom — what’s your eleventh editing rule?