WOLF ON DEMAND

“Are you sure it’s safe?” The old woman pushed her glasses further up her nose and peered at the screen, her face so close to the monitor that Mark was afraid she’d leave smears across the glass.

“Sure,” he replied with a too-wide salesman smile. “It’s the latest technology. Everyone’s using it.” He eased the mouse out of the old woman’s hand, clicked back through the demo screens. “See? Every book you could want, ready to print on demand. It’s instant.” He clicked print. The machine started churning.

Instant Book Machine, it was called. An ugly black box no larger than a coffee maker, it perched on the edge of the old lady’s desk like a futuristic insect. One minute and forty-two seconds later, a book popped out of the side. Little Red Riding Hood. He handed it to the old woman.

“I don’t like instant coffee,” the old woman said tremulously, “and I like going to the bookshop, you know.”

He did know, but he wouldn’t get his weekly commission until the old biddy joined the twenty-second century. He was a salesman, sent forth like a wolf among lambs, determined to take them all.

“You can print birthday cards, Christmas cards. Whatever you want without leaving the house. And it’s cheaper than in the bookshops because you’re cutting out the middle men. No more pulping books, wasting trees; no more authors getting ripped off… Everything you’d need, on demand. ”

When she didn’t look convinced, he pulled out the big guns. “Your family don’t visit much, do they? You get one of these, guaranteed your grandkids will come visiting.”

She hesitated. “What’s it called again?”

“Instant Book Machine,” he said. His smile was sharp. The end was close. “And it’s print on demand.”

via Bubbels on stock.xchng

“I see, I see,” the grandmother said, voice quavering. “But can it wolf on demand?”

Mark frowned. “Excuse me?”

“Wolf on demand,” she repeated. “Like so.”

And then the old woman turned into a wolf and ate him.

Interview on Whispers from the Abyss!

Whispers from the Abyss is the blog of horror/suspense author Richard Schiver.

Today, Richard has kindly posted a wee little interview with moi, asking when I first considered myself a writer, what I’m passionate about, and more.

Choice excerpt:

Despite the romantic ideal of the lonely author locked up in a cave somewhere, inscribing words on a stone tablet fuelled only by alcohol and caffeine, I ultimately believe that writing is for readers. If you don’t want someone to read that story one day, why write it down? I think that’s why I only recently began to think of myself as a writer — because previously I wasn’t really writing to share.

Are you a writer if you don’t have readers? If a tree falls in an empty forest, does it make a sound?

You can read the full interview here.

Announcing the Above Ground Blog Tour!

To celebrate the release of my first novel, I’m organising a month-long blog tour.

From November 1st to 30th, there will be prizes and fun times, plus guest posts, interviews, excerpts, short stories, reviews, and anything else you can dream up.

This is where YOU come in. I want to get a blog tour slot for every single day. Do you run a blog? Do you want to join the fun and earn my undying gratitude?

Fill in the form below with your availabilities and what type of post you’d like to run, or email me at annamharte [at] gmail [dot] com.

Above Ground: the end is nigh!

With only 3 more chapters to go until the end of _Above Ground_, I am neck-deep in getting the story ready for print/ebook release.

Yes, there are revisions… even though what is now posted online is supposed to be the rewrite. I’m silly, I know. Most of the changes smooth out scenes, fix timelines and little plot holes. I’ve reworked the first chapter, and will also do whatever my lovely editor, Terra Whiteman, orders me to do. (If you haven’t read Terra’s series, The Antithesis, it’s awesome.)

So I wanted to take a moment and say thank you to my qazyfiction fans, especially those who’ve followed me from the very beginning. This story wouldn’t exist without you.

Which brings me to:

Everyone who has commented, supported me, and been generally lovely is going on the acknowledgements page. If you have a preferred internet handle/name, let me know. Otherwise I’ll go with the name I know you by. :-) (And if you don’t want to be included, let me know too. But it’ll make me sad.)

Regarding the print/ebook release:

  • Estimated publication date is mid-end of October.
  • On October 1st, I will reveal the cover and a special offer to pre-order ebook/print copies to my mailing list only. The ebooks will be signed. Pre-orders will be limited; sign up so you don’t miss out.
  • I haven’t announced this anywhere else yet, but I’ll be running a blog tour throughout November. If any of you have active blogs and want to take part, fill in this form — you’ve got first dibs on dates!
  • If you want to stay on top of the latest news, I’ll be posting about it more on amharte.com, facebook and twitter.

As for sequels to _Above Ground_… One book at a time, eh? ;-)

Eleven Rules For Editing Fiction

So you’ve nailed down the 11 Rules for Writing Fiction. You’ve finished your novel. You feel good. INVINCIBLE. But then… what’s that? A typo? A cliché?!

Crap, you realise. The hard work has only just begun.

Welcome to the world of editing.

No, come back! Don’t run away screaming! Editing is fun. It’s like scrubbing off the dirt from your novel’s little face. You know how good it feels when you scrub your kitchen until all the surfaces are sparkly? That’s what editing is like.

But where do you start? Here’s some suggestions on what to look out for….

11 Rules For Editing Fiction

  1. Read critically.
    Take a break from your novel and come back to it with fresh eyes. Read it critically. Find out where things don’t work and what you need to change. Take notes.

  2. Plan.
    You don’t want to edit the story any more than you have to. Look over your notes, and if needed write a new outline. How will you better demonstrate the character’s development? Where will you plant clues about the killer’s identity? Know what needs to be changed and how, before you start rewriting.

  3. Leave line editing for last.
    The story’s basic structure comes first; leave the details for last. Focus on fixing plot holes first, on re-ordering scenes, fixing timelines–the big stuff. Don’t waste time on making a sentence sound perfect, when you don’t even know whether that scene will survive the rewrite.

  4. CUT! (aka Know When To Start)
    Get rid of that prologue. Heck, get rid of the first two chapters. Cut straight to the action–the readers don’t need long passages introducing the protagonist, the protagonist’s family and the protagonist’s collection of rocks. Neither do they need weather reports or waking-up-in-bed starts. Speaking of which…

  5. Avoid bedtimes.
    Don’t abuse waking and sleeping. If that’s how you do all your scene breaks, something’s wrong — even if your protagonist is narcoleptic. Finishing a scene with someone drifting off to sleep is often anti-climatic, starting with them waking in bed is dull, and you can only believably wake up from a nightmare so many times.

  6. Avoid cliché.
    Both in your scenes and in your language. Pay special attention to similes and metaphors–as black as night, as cold as death, a bird in the hand… To make your story sound original and fresh, get rid of anything your reader will recognise.

  7. Delete unnecessary words.
    Make your writing as tight as possible. Often-overused offenders are: seem, suddenly, just, even, really, feel, almost, slightly, and directional words (up/down/in/out). Treat adverbs with caution. Cut as many as possible.

  8. Get an outside opinion.
    Have other people read it. Develop a thick skin. Listen to all of their advice and thank them for it. Compile their feedback, and see what they all agree on.

  9. Read it aloud.
    Listen to the rhythm. Does it sound right?

  10. Love what you do.
    Don’t despair. Editing can be disheartening, but it’s not all bad. And hey, even if it is, that’s why you’re editing!

  11. Finally…
    Share your wisdom — what’s your eleventh editing rule?