Zombies, Double Rainbows, Russian Chocolate… and Prizes!

No, I haven’t gone insane.

You can find all those things over at Her Book Self, where lovely book blogger Lisa is hosting an interview with yours truly.

The subject of the interview is, of course, Hungry For You, with a few asides on working for 1889 Labs, my current projects, and how much of a scaredy-cat I am.

Oh yes, didn’t I mention PRIZES?

Hungry For A Giveaway!

For a chance to win a copy of Hungry For You, leave a comment on Her Book Self.

Want extra entries into the giveaway? Leave a comment on this post, too!

Anyone who comments on this post will ALSO win a free e-copy of Belonging, so make sure to leave a valid email address!

So what are you waiting for?

Leave a comment below to claim your copy of Belonging, then head on over to Her Book Self and comment there, too. The giveaway closes on October 31st so get those fingers typing!

Conquering The Mess

I woke up this morning feeling overwhelmed.

My writing to-do list is obscenely long. Every single item on it is overdue. The desk is obscured by clothes and knick-knacks. The laundry basket is overweight. And the dishes in the kitchen sink are like sullen children sat for far too long in a bathtub.

There is clutter everywhere.

If you’re anything like me, clutter causes stress, weighs you down, and makes you even more unproductive — which only makes matters worse. But finding the time to declutter can seem impossible. How do you conquer the mess?

As I am a list-fanatic, my first reaction — after a good ten minutes of lying in bed feeling sorry for myself — was to grab a paper and pen, and start writing a list.

List #1 – What To Declutter:

  • The entire house
  • Computer
  • Writing commitments
  • Editing commitments
  • Website

The above list only made me feel worse. The problem is that it’s too general, so I didn’t know where to start and felt even more overwhelmed/stressed.

The only item on the list that I could easily tackle — my website — was the only one I managed to fix. (Cue compliments from you readers on the streamlined site design.)

My mistake was focusing on WHAT needed to be done, rather than HOW best to do it. So I started a second list.

List #2 – How To Declutter:

  1. Start small. Tackle one shelf, one cupboard, or one overflowing email inbox at a time. The mess didn’t happen overnight and it isn’t going to disappear overnight.
  2. Be unsentimental. If it hasn’t been used in a year and probably won’t be used in the next, throw it away.
  3. Be charitable. Can’t throw something away that’s still in good condition? Donate it to charity — a guilt-free way to get rid of clutter!
  4. Make quick decisions. Sorting and re-sorting will take forever. Trash it or keep it!
  5. The ‘maybe’ box. Anything on the fence gets put in a maybe box with a sell-by date. If that box isn’t opened by the sell-by date, everything inside goes into the bin.
  6. Create a system. Not having one is like trying to shovel snow while it’s still snowing: the clutter will just keep coming back.
  7. Celebrate victories. Cue pat on the back for doing the website!

There you go. I’m feeling better already!

What about you? Do you have any suggestions to add?

A CHARMING WITCH

This short story is set several years before the events in Above Ground. It provides insight into the WPL (Witches’ Protection League) and marks a turning point in WPL’s policies, from passive anti-werekin attitudes to the aggressive tactics seen in Above Ground.


Evelyn was a short woman, petite and blonde, seemingly innocent in appearance. She was also a woman who knew how to charm. She stood idly by the doorway, hardly betraying her inner turmoil. In front of her, slowly coming to his senses, was a werewolf.

The floor was covered with a murky carpet that matched her feelings inside. He was sprawled on it, one hand still stained with blood, a flash of colour in the near darkness.

He sat up, unabashed by his nudity. “What happened?”

She raised one hand and placed it against the door, keeping the other behind her back. “You changed.”

“Impossible. I don’t remember.” He sniffed the air, then scanned her body. “Did I bite you? Are you hurt?”

“I’m fine.”

He noticed the blood on his fingers, brought it up to his nose. “Then what…?” He paused, unable to resist the impulse to lick off some of the blood. The sight nearly killed her.

“What did I do?” he asked.

“You lost control.”

He shook his head in response, looking bewildered. “Weres don’t lose control. We’re just as sentient in animal form as we are when human.”

Evelyn allowed herself a brief daydream: striding across the room, slapping his face, shoving his nose into the pool of blood behind him. When he looked up at her, she shrugged, striving to make the movement look casual.

“The smell’s so strong,” he said, finally. “I can’t tell where it’s coming from.”

Keeping her voice innocent-sweet, she replied, “How about behind you?”

He turned around, then let out a hoarse pain-filled cry. He scrambled away from the small body, on his hands and knees like the animal he was, and knocked over a vase filled with fresh, red roses. The petals scattered.

“No!” He pushed himself to his feet, turned to her, his lips curled into a snarl. “You did this! You and your stupid coven! They don’t like me, they never have!”

She let her control slip, just the tiniest bit. “How dare you accuse me of killing my own daughter?”

“How else could you stand there, looking so calm?” In his anger, his fingertips changed back to claws. He didn’t seem to notice.

Evelyn kept her voice flat. “Right now, my hatred for your kind surpasses any other emotion I could feel.”

“My kind?” He noticed his hands, forced them to change back. “What do werewolves have to do with it?”

“They killed her.” She paused, then added, “You killed her.”

His mouth opened and closed silently. He turned around, stared at the body. “Impossible,” he mumbled. He didn’t look at her. “How… how do you know?”

The hand behind her back clenched tighter around the cool metal. “Because I watched you do it!”

He flinched at the words, moved closer to the body on the floor. He crouched down. “No. I can’t have. I love her.”

He reached out, touching a cheek tenderly and brushing away the tangles of hair that covered the two year olds’ face. Glassy emerald eyes stared at the ceiling, small lips curved downwards in a frozen frown. His body shuddered with suppressed grief as he turned to pick up a rose from where it lay on the floor, amongst the scattered bits of glass. He placed it beside the young girl’s cheek. The rose had already begun to wither.

He straightened, took a few steps towards her. “Evelyn, I… I don’t understand.”

Evelyn pulled out the gun she’d been hiding behind her back and levelled it at his body. She didn’t give him any warning. His body shuddered from the impact and fell backward.

She released a whoosh of breath, let her arm drop to her side. It was over.

Someone coughed politely behind her.

Evelyn jumped and whirled around, bringing the gun up again. It was the witch who worked on reception at the W.A.W. headquarters, a self-important and overweight man. She lowered the gun. “What is it?” she snapped.

He looked startled. Reminding herself of the importance of networking, Evelyn forced a smile and apologized, then asked the question again.

He stroked his moustache, looking nervous. “The Grand High has been murdered. She named you her successor.”

Evelyn gave herself one second to process the news. Then, with a grave, sympathetic smile, she reached out and touched the man’s arm. “Very well. I’ll be with you in a moment.” She squeezed his arm reassuringly, letting her fingertips trail across his hand as she pulled away.

He smiled back almost giddily. His eyes slid past her, into the room, but he said nothing. He bowed deeply and strode down the corridor.

Evelyn was a short woman, but mostly a woman who knew how to charm. She stood idly by the doorway with a smirk on her face, hardly betraying her inner turmoil. At her feet, drawing his last, gasping breaths, was a werewolf.

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National Poetry Day

I’m not much of a poet
though I can write in rhyme —
the crafting of great verse
just bemuses my mind.

Thankfully not all
writers are like me,
which is why today’s the day
of national poetry.

Across England, Scotland, Wales,
and Northern Ireland too,
we’re celebrating poets
and all the work they do.

So stop reading my lines
which lack aplomb and style;
follow @poetrydayuk
to find something worthwhile.

That’s right: it’s National Poetry Day. Even if you’re not in the UK, go hug a poet near you. And a special shout out Gabriel Gadfly, my favourite poet across the pond.

The Pros & Cons of Reader-Directed Publishing

How does a new writer become discovered?

It’s an age-old question, but innovative digital publisher Wink Publishing has a brand new reply: reader-directed publishing.

I’ve been aware of Wink Publishing for some time — indeed, joined their mailing list a few months ago. But only today did I properly look into them, prompted by Wink Publishing’s guest post on The Next Best Book Club.

WINK’S SALES PITCH
Most traditional publishers are money-focused, solely publishing profitable books such as celebrity titles and formulaic genre bestsellers, whilst giving authors a tiny fraction of profits. Wink, on the other hand, wants to both publish entertaining literature AND give authors a good share of the profits — and the safest way to do this is to directly ask readers what they want to read.

HOW IT WORKS
Culling through all their submissions, Wink Publishing draws up a shortlist of titles. Readers can then read 50-page excerpts of each shortlisted title and vote for their favourite. At the end of the voting period, Wink publishes the book with the most votes.

To take part, author contestants must have a finished novel between 50-150k of any genre and be unpublished.

Winner takes all: an exclusive 3-year publishing contract with Wink and 50% of profits.

THE PROS
Reviewing the sample author contracts, website, and guest post, here’s what I like about Wink:

  1. An innovative business model. Digital publishing is all about innovation, you never know which new initiative will take off.

  2. Focus on unpublished authors. In the age of ebooks, it’s very difficult for new faces to distinguish themselves from the crowd.

  3. A respectable royalty rate. All profits of the book are split 50/50 between author and publisher, with Wink swallowing any costs.

  4. Additional support. Wink claims to fill the role of author agent as well, searching for ways to use serial, film and other rights, too. Most indie authors don’t have the time to exploit these secondary rights successfully.

  5. Effortless. Assuming your book is shortlisted, your name and title get a lot of free publicity, regardless of whether you win. Even if your book isn’t selected, you’ve exposed your work to a potential audience.

THE CONS
Despite the pros listed above, there are a number of reasons I would hesitate to recommend Wink Publishing to any aspiring authors out there. These are:

  1. The sales pitch. It doesn’t convince me: just because the book published is reader-selected doesn’t make the title more literary or less formulaic than books traditional publishers publish. Besides, Wink curates the shortlist, hence — one would assume — only puts through profitable titles.

  2. The business model. To put it bluntly: what if all the submissions they receive are crap? What if all are excellent and deserve to be published? If you accept 50-150k novels of any genre, how can you compare a 50k romance to an 80k literary exploration to a 150k science fiction behemoth?

  3. No track record. Wink has only published one book so far, and is running the second contest. Everyone has to start somewhere, but is it economically wise to give your book to Wink as it is now?

  4. The contract terms: 3-year exclusivity. I’m assuming they take an option on secondary rights too. Do you want to tie yourself to a publisher for that long when they have no track record? Compare that to 1889 Labs, where we ask for non-exclusive ebook and print rights, plus a six-month notice period for termination.

  5. Unpublished only. Every second your book is sitting there waiting for votes is another second it’s not on sale. And you have no way to guarantee your book will even win the contest and get a publishing deal out of it.

  6. Limited audience. Yes, taking part in the contest gets you free marketing. But to whom? A specific subsection of readers who enjoy these kinds of contests. I’d argue that most readers would rather read your whole book NOW if they’ve read 50 pages and enjoyed it enough to vote for it… but the contract doesn’t allow you to self-publish on the side.

  7. The royalty rates. 50/50 is a healthy split. But compare that to the 70% we give authors at 1889 Labs. Not to mention the even greater profit margin you’d get if you have the determination and skill to go indie.

  8. The X Factor. Would this be true reader-directed publishing or a popularity contest? I could get hundreds of people to vote for my book, none of whom might eventually buy the book when published.

I’ve tried to keep the list concise, but am certain there are other points that could be raised.

OVERALL
I’m a strong advocate of innovative digital publishing, firstly because you never know what could work, and secondly because it’s often great fun (1889’s livewriting experiments spring to mind).

Certainly reader-directed fiction has a lot of potential. I know of indie authors experimenting with a variety of reader-directed and/or interactive fiction, for example authors who write stories on request — by having readers vote for their preferred topic, or by having reader earn points to spend by completing certain tasks.

I’m just not entirely sold on Wink Publishing’s take on reader involvement and would hesitate to recommend it to aspiring authors.

Of course, I’m happy to be proved wrong. Do you think it would work?